A conversation with Liz Kinoshita

A conversation with Liz Kinoshita

Liz Kinoshita (°1983) was born in Toronto, Canada and moved to Europe in 2002 to further study and work. In 2004, Liz participated in DanceWEB…

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The Outliner:  rendering the invisible visible

The Outliner: rendering the invisible visible

More info on THE OUTLINER: HERE Dates / tickets for Vancouver, Edmonton, Regina and Winnipeg appearances: TICKETS   Jennifer Mascall’s The Outliner:   rendering the…

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8 reasons to BLOOM  in 2017

8 reasons to BLOOM in 2017

Session One Application Deadline: January 15, 2017
Two sessions in 2017:
Session #1 Feb 20-Apr 04 Session #2 Jun 05-Jul 11.

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F.A.Q.   BLOOM 2017

F.A.Q. BLOOM 2017

We are tackling the ideas that you want to be working with, not the packaging, so when you return to the full piece you have content. We’re trying to structure a situation where the hard construction/invention work of craft is tackled, outside of adrenalin.

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Outlining something that is and is not there:  Elissa Hanson on Profilo Eterno

Outlining something that is and is not there: Elissa Hanson on Profilo Eterno

maddening and satisfying – completely whole.

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The Outliner:  a chamber evening of solo works

The Outliner: a chamber evening of solo works

encompasses decades of study by Jennifer Mascall on lines in space.

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Elliot Neck on the GRAFT costume design

Elliot Neck on the GRAFT costume design

there’s the fragility of the units coming off the back. So small that at first you cant see them, the line off the back responds and exposes each nuance. It can show the audience that there’s something more going on than is visible.

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Meet the Artist:  Eowynn Penny-Huguot

Meet the Artist: Eowynn Penny-Huguot

The Politics of Meaning

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Meet the Artist:  Robin Poitras

Meet the Artist: Robin Poitras

the snails are awake….

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Meet The Artist:  Renee Sigouin

Meet The Artist: Renee Sigouin

Graft

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